2024.6.19

Scheduled on Jul.20, 2024 ~, Sosyu Genkoroku III (Sosyu Chronicle of Words and Deeds), [Makoto ni Iku (Live in Sincerity)] (published by Jitsugyo no Nihonsha, Ltd., written by Shigyo Sosyu) will be published!

This time, from Jitsugyo no Nihonsha, Ltd., Shigyo Sosyu’s new series of Sosyu Genkoroku III [Makoto ni Iku] will be released around July 20, 2024. (¥2,200 (price including tax) ISBN:978-4-408-65102-6, 320 pages)

Sosyu Genkoroku is a compilation of talks given by the author at lectures, and the third book, titled “Makoto ni Iku,” contains lectures given at Celebration of the 30th anniversary of Nihon Koen Shinbun, lectures given at the Japanese Medium-sized Business Management Course hosted by Hollywood Graduate School, lectures given at reading circle of Kyoto University, Osaka University, Kyushu University, and also contains lectures from the internet educational program 10mTV Opinion.

Part 1: “Nihon teki” no Kongen (Fountainhead of Japanese way)
Part 2: Riso ni Ikiru (Living the Ideal)
Part 3: Makoto ni Iku (Live in Sincerity)
Part 4: Burenai Jiku towa (What is Stable Axis?)
Part 5: Ningen ryoku ni Semaru (Approaching Human Power)

With these chapters, this volume summarizes Shigyo Sosyu’s view of life for [Makoto ni Iku].

The Zen phrase “Doppo Seiten” was chosen by Shigyo Sosyu as the fundamental attitude for “Makoto ni Iku.” Shigyo Sosyu says it means “When Sincerity takes on a physical body, we can walk in the heavens.”

“Sincerity is the true “Tear” of every human life. For the sake of those tears, humans have overcome any suffering.” ――― from the preface of Shigyo Sosyu [Makotoni Iku]

2024.5.29

On Jun.01, periodical booklet on Culture・Art “ARTIS” (bimonthly) No.29 will be published.

　“ARTIS” (Art in Latin) No.29, introducing the collection of our gallery in various perspectives and receiving favorable reviews from the readers, will be published on Jun.01. This time, we will approach the relationship between the universe and art under the title of “Galactic Journey (Ginga no Tabi).” We will contemplate what gravity is, what galaxies are in relation to art, and how they can be expressed in works of art in the interview to Shigyo Sosyu.

　The painting of [Opening Page] features Koshino Junko’s “Existence of Luster and Shadow (Hikari to Kage no Sonzai).” In [Creators] corner Hagiwara Sakutaro is introduced. In [My eye] corner, where we publish contributions from visitors to our gallery, Mr. Ishiguro Hiroyuki has contributed a brilliant piece looking back on Shigyo Sosyu Collection “Zen y Arte －Gaze from Spain” Exhibition held at the Spanish Embassy in Japan last year. We hope to have you read the article.

　Shigyo Sosyu Collection Display Floor / Memorial Gallery of Toshima Yasumasa is currently holding “Sand Time (Suna no Jikan)” Exhibition (~ Aug.31). Mr. Abe Hiraomi’s western paintings depicting the desert, Mr. Sato Chu’s near－future metal sculpture, Mr. Kitagawa Kenji’s object works, Mr. Tachihara Sei’s sand photos are also being displayed. We hope to have you visit the exhibition.

　It is distributed free with free regular delivery, please contact Memorial Gallery of Toshima Yasumasa (Direct phone:03-3511-8162).

Click the image to see the sample page.

▼ [Contents]

[Opening Page] Pursue an Artwork	: Koshino Junko “Existence of Luster and Shadow”
[Interview] The Art Talk	: Galactic Journey
[Column] Creators	: Hagiwara Sakutaro
[Free Project] Here and Now	: Coming from Dreams
[Contribution] My Eye	: Ishiguro Hiroyuki
[Serials]	: Letter from Toshima Yasumasa 　Curator News

2024.3.14

On Apr.01, periodical booklet on Culture・Art “ARTIS” (bimonthly) No.28 will be published.

　“ARTIS” (Art in Latin) No.28, introducing the collection of our gallery in various perspectives and receiving favorable reviews from the readers, will be published on Apr. 01. This time, we will be exhibiting Mr. Sato Chu’s metal sculpture, which are newly part of the Shigyo Sosyu Collection, and his thoughts on works and art, titled “Suna no Jikan (Sand Time),” that attempts to depict eternal time symbolized by “Sand.” We will introduce this in an interview project to Director Shigyo Sosyu [Art Talk].

　The painting at the Opening Page features Mr. Sato Chu’s “Kiniro no Ame (Golden Rain),” In [Creators] corner, George Black is introduced. This time Ms. Mochizuki Suzuko who studied Nietzsche at Kokugakuin University and is currently engaged in writing activities, has contributed a poem dedicated to Mr. Tachihara Sei’s “[Interlude of light] － Phantom photograph of the Sand.” Please enjoy this beautiful poem, that you can sense the fetal movement of a “Novel Myth.”

　Shigyo Sosyu Collection Display Floor / Memorial Gallery of Toshima Yasumasa is holding “Aesthetics of Duplicate” Exhibition until Apr. 20 (Sat). And from Apr.30 (Tus.) titled “Suna no Jikan (Sand Time)” Exhibition( ~ Aug.31), the same title as the ARTIS is scheduled to be held. Mr. Sato Chu’s near-future metal sculpture, Mr. Tachihara Sei’s photograph of Sand, Mr. Abe Hiraomi’s western painting depicting deserts, etc. will be exhibited. We hope you will continue to visit our current and upcoming exhibitions.

　It is distributed free with free regular delivery, please contact Memorial Gallery of Toshima Yasumasa (Direct phone:03-3511-8162).

Click the image to see the sample page.

▼ [Contents]

[Opening Page] Pursue an Artwork	: Yasuda Yukihiko “Practice handwriting”
[Interview] The Art Talk	: Aesthetics of Duplicate
[Column] Creators	: Yasuda Yojyuro
[Free Project] Here and Now	: Thoughts on Photography
[Contribution] My Eye	: Kobayashi Daisuke
[Serials]	: Letter from Toshima Yasumasa 　Curator News

2024.1.16

On Feb.01, periodical booklet on Culture・Art “ARTIS” (bimonthly) No.27 will be published.

　“ARTIS” (Art in Latin) No.27, introducing the collection of our gallery in various perspectives and receiving favorable reviews from the readers, will be published on Feb.01. In the interview to the Director Shigyo Sosyu “The Art Talk,” the theme of “Utsushi no Bigaku (Aesthetics of Duplicate)” will be contemplated. “Duplicating” is the primordial act of art. Starting with the cave paintings of Altamira, creators fight to capture the great mystery by duplicating “something” in front of them. The more mysterious a work is, the more it can be said to live on in the lives of others.

　The painting at [Opening page], features Yasuda Yukihiko’s “Tenarai (Practice handwriting),” and in [Column] Creators introduces Yasuda Yojyuro. This time, Mr.Kobayashi Daisuke, a businessperson who studied Kant at the University of Tokyo, has contributed a poem dedicated to Toshima Yasumasa’s [Katamuita akai tochi ― La tierra roja inclinada (The inclined red land)]. We invite you to taste the poetry born from a dialogue with a true work of art.

　Shigyo Sosyu Collection Display Floor / Memorial Gallery of Toshima Yasumasa will hold “Utsushi no Bigaku－Jiso o miru (Aesthetics of Duplicate－Gaze the Ultimate Reality)” Exhibition (Feb.06 ~ Apr.20) under the same title as the ARTIS. We hope to have you visit the exhibition also.

　It is distributed free with free regular delivery, please contact Memorial Gallery of Toshima Yasumasa (Direct phone:03-3511-8162).

Click the image to see the sample page.

▼ [Contents]

[Opening Page] Pursue an Artwork	: Yasuda Yukihiko “Practice handwriting”
[Interview] The Art Talk	: Aesthetics of Duplicate
[Column] Creators	: Yasuda Yojyuro
[Free Project] Here and Now	: Thoughts on Photography
[Contribution] My Eye	: Kobayashi Daisuke
[Serials]	: Letter from Toshima Yasumasa 　Curator News